Comp II: No
More Drama
Bristol Community College
Instructor
- Tom Grady Paper due: April
22
Of
most contemporary art forms, drama, live theater, always seems to be on the
brink of extinction. The following choices for writing allow you to explore and
implicitly argue for or against the relative value of drama in your life and
your world.
choose
1: choose 1: choose 1: choose 1: choose 1: choose 1: choose 1:
A.
The Contemporary Corollary
Choose one of the plays we’ve read and draw
corollaries to three different contemporary events. Show how any combination of
the plays’ plots, themes, characters, settings, etc. have similarities to
those of the events you’ve chosen.
You can use ANY COMBINATION of the following
(parens are just suggestions):
1) A recent historical moment: (War on Terror, Imus, Immigration, Waco, Israel/Lebanon
conflict, Watergate, South Africa, O.J. Simpson trial, Iraq War, Alberto
Gonzales, Michal Jackson, the Guyana mass suicides)
2) Focus on one character: (Agave as Patsy Ramsey, Dionysis as Madonna,
Pentheus as George Bush, Picasso as Tom Cruise)
3) Consider a setting or a state
of affairs: (The Bacchae and the late 60’s
counterculture movement)
For each corollary you must include a quote from
both the play and a secondary source relating to the issue you’ve chosen
for comparison. So if you were comparing, say, The Bacchae to the late
60’s counterculture movement, you would find a quote from the play and
also a quote from some piece of research which examines the 60’s in the
same way that you’ve found it similar to the play. 5 pages
B.
Catharsis and Didacticism: Then and Now
Discuss how catharsis and didacticism work in The
Bacchae and then investigate how a contemporary audience achieves that same
sense of purging or transformation. Is it movies? Television? Live
concerts? Are the emotions
different? Does the author’s
intent have any influence over the audience? Where do the similarities end, and
what does that say about us and them as a people? Use specific examples, both
from the plays and from whatever source you’ve investigated. Feel free to
use personal anecdotes to support your theory, though beware of hasty
generalizations. Use at least two secondary sources. 5 pages
C.
Your Own Play: Update or Satire
Come up with an idea for your own play which
achieves ONE of the following:
1) Set a play in a contemporary setting, placing characters who might
not otherwise meet each other in a plausible environment: Allan Greenspan meets
Bono, as Einstein met Picasso
OR 2) Create a satire of Greek
Theater: exaggerate and/or ridicule those tropes which you think are ludicrous or
exhausted about Greek Theater as a means of exposing its failings.
With either choice you must include the following:
1) a one page dramatist personae
and summary of story and plot.
3) a two page scene excerpt done in
play format.
4) a three page rationale for your
artistic choices, citing examples from the texts.
Your play should duplicate all the necessary
ingredients of Greek Drama, i.e. harmartia, discovery, hero, chorus, etc. You
may want to discuss how these things play out in your rationale and quote the
plays from which you were influenced.
----------------------------------------------
·All essays to follow MLA notation.
LEARNING OUTCOMES - evaluation criteria[1]
[1] Developed by the Writing
Committee of Project Connect, a partnership of public higher education institutions in
southeastern Massachusetts—Bridgewater State College, Bristol Community
College, Cape Cod Community College, Massasoit Community College, and the
University of Massachusetts Dartmouth.